Analisis Naskah "Bilai" Karya Mulyadi:

Pendekatan Teori Psikoanalisis Sigmund Freud

Abstract

This study aims to analyze the personality dynamics of characters in the Bilai drama script by Mulyadi using Sigmund Freud’s psychoanalytic theory. This theory divides the structure of human personality into three main aspects: the id, ego, and superego. The analysis focuses on four main characters: Jukalip, Nak Kertinep, Tinep, and Kepaq. This research employs a qualitative descriptive method with text analysis techniques, examining the characters dialogues, actions, and interactions to identify the dominance of one of the personality structures. The findings indicate that Jukalip is dominated by the id, which drives him to act impulsively and destructively, such as engaging in heavy drinking, gambling, and committing rape against his own daughter. Nak Kertinep is dominated by the superego, as reflected in her determination to maintain her household despite experiencing violence, influenced by the moral convictions and patriarchal cultural values she upholds. Tinep is also dominated by the id, which triggers emotional outbursts, shouting, and the desire to kill her father as a means of releasing past trauma. Meanwhile, Kepaq demonstrates ego dominance, which enables him to make realistic decisions, balance the impulses of the id and the demands of the superego, and continue working to support his family despite his physical limitations. These findings show that the dominance of one aspect of personality influences how characters behave, make decisions, and interact with their surroundings. This study affirms that the psychoanalytic approach can reveal the depth of characters’ inner conflicts and provide insight into the relationship between an individual’s psychological condition and the socio-cultural context underlying the literary work.